| |
Lot # |
Heading |
Author |
Title |
Place |
Date |
Estimate |
|
|
1 |
|
Abbe, James E. |
I Photograph Russia |
New York |
[1934] |
200/300 |
|
|
2 |
(Alphabet Playing Cards) |
Bell, George C. |
Bell's Transparent Teaching Cards |
Boston |
[c.1865] |
400/600 |
|
|
3 |
(American Art) |
** |
Seventeen issues of American art magazines of various titles |
Various places |
Various dates |
200/300 |
|
|
4 |
(American Art) |
** |
Thirty volumes about art - mostly American art and print making |
Various places |
Various dates |
200/300 |
|
|
5 |
(Architecture) |
** |
Five volumes on European architectural landmarks |
Paris |
Various dates |
100/150 |
|
|
6 |
(Architecture) |
** |
Grands Prix d'Architecture. Projets Couronnés par l'Académie Royale des Beaux Arts de France |
Liége |
1842 |
800/1200 |
|
|
7 |
(Architecture) |
** |
L'Architecte: Revue Mensuelle de l'Art Architectural Publiée a vec le Concours de la Société des Architectes |
Paris |
1925 |
200/300 |
|
|
8 |
(Architecture) |
** |
Sixteen volumes or issues of a periodical on architecture |
Various places |
Various dates |
200/300 |
|
|
9 |
(Architecture) |
** |
The American Architect and Building News |
Boston |
1889 |
200/300 |
|
|
10 |
(Art Journal - 1875) |
** |
The Art Journal for 1875 - Volume 1 |
New York |
1875 |
200/300 |
|
|
11 |
(Art Journal - 1876) |
** |
The Art Journal for 1876 - Volume 2 |
New York |
1876 |
200/300 |
|
|
12 |
(Art Journal - 1877) |
** |
The Art Journal for 1877 - Volume 3 |
New York |
1877 |
200/300 |
|
|
13 |
(Artforum) |
** |
Artforum - 34 issues |
New York |
1964-1969 |
200/300 |
|
|
14 |
(Arts & Decoration) |
Roberts, Mary Fanton |
Arts & Decoration - Nineteen issues from 1933-1937 |
New York |
1933-1937 |
300/500 |
|
|
15 |
(Automobiles) |
** |
Color Creations from Nature's Studios, Revealing Her Masterly Manipulation of Color Through the Medium of Superb Motor Car Creations |
[Detroit] |
[1927] |
200/300 |
|
|
16 |
|
Baldessari, John |
Throwing Three Balls in the Air to Get a Straight Line (Best of Thirty-Six Attempts) |
Milan |
1973 |
700/1000 |
|
|
17 |
(Ballet Souvenir) |
** |
Souvenir Serge de Diaghileff's Ballet Rouse |
New York |
[1916] |
200/300 |
|
|
18 |
|
Beatty, A. Chester, Sir |
The Chester Beatty Library: A Catalogue of the Persian Manuscripts and Miniatures |
Dublin |
1959 |
800/1200 |
|
|
19 |
|
Beil, C[harles] A. |
Original copper etching of a skier - signed |
|
[c.1965] |
200/300 |
|
|
20 |
|
Bemelmans, Ludwig |
Madeline and the Bad Hat |
New York |
[1956] |
700/1000 |
|
|
21 |
|
Berntsen, B[ernard] |
Charcoal sketch of fellow artist Sakari Suzuki while working on a Federal Art Project mural |
|
[1936-37] |
500/800 |
|
|
22 |
(Book Arts) |
[Gusman, Pierre, editor] |
Byblis: Miroir des Arts du Livre et de l'Estampe - 4 issues |
[Paris] |
1924 |
200/300 |
|
|
23 |
(Book Press) |
** |
Antique wooden nipping press |
|
[18th century?] |
500/800 |
|
|
24 |
(Book Press) |
** |
Cast iron nipping or copy press |
No place |
late 19th or early 20th century |
300/500 |
|
|
25 |
(Book Press) |
** |
Cast iron nipping or copy press |
Glasgow |
19th century |
400/600 |
|
|
26 |
(Bookcase) |
** |
Sectional bookcase |
|
No date |
200/300 |
|
|
27 |
(Bookcase) |
** |
Sectional bookcase |
|
No date |
200/300 |
|
|
28 |
(Botanical) |
** |
I Fiori di Primavera [and] Estate [and] Autunno [and] Inverno - four portfolios with chromolithographed flowers of the seasons |
Milan |
1892-1894 |
700/1000 |
|
|
29 |
(Bourdelle, Antoine) |
** |
L'Oeuvre d'Antoine Bourdelle: Avec un Commentaire Technique par l'Artiste et une Autobiographie |
Paris |
[c.1925] |
200/300 |
|
|
30 |
(British Art) |
** |
Artwork: An International Quarterly of Arts & Crafts |
London |
1924-1931 |
200/300 |
|
|
31 |
|
Butterfield, C[ortland] (American, 1904-1977) |
Group of 1 signed color lithograph and 2 signed prints |
|
1960's |
200/300 |
|
|
32 |
|
Chamberlain, Samuel (1895-1975) |
Plaza San Martin - Segovia - original signed etching |
|
[c.1925] |
200/300 |
|
|
33 |
(Chinese Art) |
** |
The Mustard Seed Garden Manual of Painting - one woodblock |
[China] |
[c.1679-1701] |
200/300 |
|
|
34 |
|
C[okayne], G.E. |
The Complete Peerage of England, Scotland, Ireland, Great Britain and the United Kingdom |
[Gloucester] |
1987 |
100/150 |
|
|
35 |
|
Covarrubias, Miguel |
Rice Granery, Bali |
New York |
No date |
800/1200 |
|
|
36 |
(Currier & Ives) |
** |
Thirty-five volumes on American art, mostly Currier & Ives |
Various places |
Various dates |
200/300 |
|
|
37 |
|
Damrow, Charles |
Crossing Over - original oil painting |
|
[c.1970] |
1000/1500 |
|
|
38 |
|
Deak, Gloria Gilda |
Picturing America: Prints, Maps, and Drawings Bearing on the New World Discoveries and on the Development of the Territory that is now the United States |
Princeton |
[1988] |
300/500 |
|
|
39 |
zzc |
Dean, Mallette |
Linocut signed by the artist |
|
[c.1960s] |
100/150 |
|
|
40 |
(Decorative Arts & Interior Design) |
** |
Collection of books and periodicals on the decorative arts and interior design |
Various places |
Various dates |
250/350 |
|
|
41 |
(Decorative Bindings) |
Cervantes [Saavedra, Miguel de] |
Don Quichotte de la Manche |
Paris |
[1893] |
200/300 |
|
|
42 |
|
Dervaux, Adolphe |
L'Architecture Etrangére: A l'Exposition Internationale des Arts Décoratifs et Industriels Modernes |
Paris |
[c.1925] |
200/300 |
|
|
43 |
(Design) |
** |
Portfolios of floral and decorative design plates |
Various places |
Various dates |
200/300 |
|
|
44 |
(Etchings) |
Hobbs, Morris Henry |
Original etching of St. Louis Cathedral in Old New Orleans - signed |
|
[c.1930s] |
100/150 |
|
|
45 |
|
Evans, Henry |
Magnolia Mississippi State Flower - signed color linoleum-block print |
|
1971 |
100/150 |
|
|
46 |
(Exposition Internationale des Arts Décoratifs) |
David, M. Fernand |
Exposition Internationale des Arts Décoratifs et Industriels Modernes, Paris 1925: Rapport Général |
Paris |
1928 |
400/600 |
|
|
47 |
(Fine Art & Architecture) |
** |
Collection of volumes and periodicals on fine art and architecture |
Various places |
Various dates |
200/300 |
|
|
48 |
|
Foujita, Tsugouharu |
San Francisco autograph album, containing an original self-portrait by Tsugouharu Foujita |
[San Francisco] |
1930s-1940s |
400/600 |
|
|
49 |
|
Frankl, Paul T. |
Space for Living |
New York |
1938 |
200/300 |
|
|
50 |
(French Art & Architecture) |
** |
Collection of periodicals and plates of French art and architecture |
Various places |
Various dates |
300/500 |
|
|
51 |
(French Art) |
Calavas, A., editor |
Paris 1928 |
Paris |
[1928] |
700/1000 |
|
|
52 |
(French Art) |
** |
L'Art Vivant - sixteen issues of the magazine |
Paris |
1925-1930 |
200/300 |
|
|
53 |
(French Art) |
** |
L'Illustration - twelve issues |
Paris |
1925-1937 |
250/350 |
|
|
54 |
(French Design) |
** |
Three portfolios of plates illustrating French design |
Paris |
[c.1925] |
200/300 |
|
|
55 |
(French Fashion & Art) |
** |
Feuillets d'Art - miscellaneous extracts of various issues |
[Paris] |
[1919-1920] |
200/300 |
|
|
56 |
(French Interiors) |
** |
Ensembles Mobiliers - Volume 4 |
Paris |
1939 |
200/300 |
|
|
57 |
(French Interiors) |
Fréchet, Andre |
Intérieurs Modernes: Mobilier & Décoration |
Paris |
[c.1910] |
200/300 |
|
|
58 |
(French Interiors) |
** |
Intérieurs Modernes Anglais et Francais |
Paris |
[c.1925] |
150/250 |
|
|
59 |
(French Interiors) |
Lambert, Th[éodore] |
Décorations et Ameublements Intérieurs |
Paris |
[c.1920] |
200/300 |
|
|
60 |
(French Interiors) |
** |
Two photograph portfolios of French interiors |
Paris |
[c.1920] |
200/300 |
|
|
61 |
(French-Russian Language Guide) |
Languen, Jacques |
Petit Manuel Russe a l'Usage des Francais |
St. Petersburg |
1819 |
700/1000 |
|
|
62 |
|
Genthe, Arnold |
Fifteen original silver print photographs of Greece and Italy, signed by Genthe on mounts |
|
[c.1925] |
1200/1800 |
|
|
63 |
(German Art & Architecture) |
** |
German art and architecture - magazine issues and plates |
Various places |
Various dates |
200/300 |
|
|
64 |
(German Decorative Art) |
** |
Decorative Kunst - ten issues |
Munich |
1905-1906 |
200/300 |
|
|
65 |
(German Decorative Design) |
** |
Kunstgewerbliche Schmuckformen für die Flache Vierteljahrshefte für die Verzierende Kunst |
Plauen |
[c.1920] |
600/900 |
|
|
66 |
(German Dynastic History) |
Huberty, Michel and Alain Giraud |
L'Allemagne Dynastique |
|
1976-1994 |
200/300 |
|
|
67 |
(German Embroidery) |
** |
Stickereien und Spitzen: Blätter fur Kunst Lieben de Frauen - seven issues |
Darmstadt |
1923-1930 |
200/300 |
|
|
68 |
(German Interiors) |
** |
Innen-Dekoration: Die Gesamte Wohnungskunst in bild und Wort Herausgeber - eleven issues |
Darmstadt |
1924-1930 |
250/350 |
|
|
69 |
(German Interiors) |
** |
Möbel und Zimmereinrichtungen der Gegenwart I folge |
Berlin |
[c.1900] |
300/500 |
|
|
70 |
(German Interiors) |
Neundörfer, Ludwig |
Wie Wohnen? Neuzeit Einrichtung Kleiner Wohnungen |
[Leipzig] |
[1929-1930] |
200/300 |
|
|
71 |
|
Goudy, Frederic W |
Typologia: Studies in Type Designs & Type Making with Comments on the Invention of Typography, the First Types, Legibility and Fine Printing. |
Berkeley |
1940 |
250/350 |
|
|
72 |
(Graphic Weekly) |
** |
The Graphic. An Illustrated Weekly Newspaper |
London |
1887 |
200/300 |
|
|
73 |
|
Guercino |
Raccolta di Alcuni Disegni del Barberi da Cento Detto Il Guercino - eight plates |
Rome |
1764 or after |
200/300 |
|
|
74 |
(Heraldry) |
Riestap, J.B. |
Armorial General Precede d'un Dictionnaire des Termes du Blason - fourteen volume set |
London |
[1967-1972] |
200/300 |
|
|
75 |
(Heraldry) |
** |
Thirteen volumes from J. Siebmacher's grosses Wappenbuch |
[Germany] |
1971-1982 |
400/600 |
|
|
76 |
|
Herbinier, A[rséne] |
Matériaux & Documents d'Art Décoratif - three portfolios of plates from works by A. Herbinier and others |
Paris |
[c.1900] |
400/600 |
|
|
77 |
|
Hockney, David |
Igor Stravinsky. Metropolitan Opera - vintage poster |
England |
1981 |
600/900 |
|
|
78 |
|
Hofmann, Hans |
Search for the Real and Other Essays |
Andover, Mass. |
[1948] |
300/500 |
|
|
79 |
(Illustrations) |
** |
Three illustrated volumes |
Various places |
Various dates |
100/150 |
|
|
80 |
(Interior Design) |
** |
The House Beautiful: A Magazine of Art & Artisanship - thirty-six issues |
Chicago |
1897-1901 |
200/300 |
|
|
81 |
(Interior Design) |
** |
Two volumes on interior design of the 1930s |
Various places |
Various dates |
200/300 |
|
|
82 |
(Italian Ceilings) |
** |
Soffitti e Fregi Moderni: Nvove Composizioni di Artisti Italiani |
Torino |
[No date] |
150/250 |
|
|
83 |
|
Jackson, Sir Thomas Graham |
The Renaissance of Roman Architecture |
Cambridge |
1921-3 |
200/300 |
|
|
84 |
|
Jahrgang, Vi. |
Das Interieur: Wiener Monatshefte für Wohnungs-Ausstattung und für Angewandte Kunst |
Wein [Vienna] |
1905 |
300/500 |
|
|
85 |
zzf |
Hirayama, Ikuo |
Ikuo Hirayama. Ten: Tenjiku e no michi |
[Tokyo] |
1983 |
200/300 |
|
|
86 |
(Japanese Crests) |
** |
[Japanese crests] |
Japan |
[c.1930] |
1000/1500 |
|
|
87 |
|
Kalep, Elvy |
Twenty-six proofs of illustrations for Air Babies - 1936 |
[Denver] |
[1936] |
600/900 |
|
|
88 |
(Kees, Weldon) |
** |
Painting and Sculpture: The San Francisco Art Association |
Berkeley |
1952 |
150/250 |
|
|
89 |
|
Keleh, Ch. V.D. |
Original oil painting on panel of a view of the Senne River |
|
[c.1900] |
200/300 |
|
|
90 |
|
Kemp, Dixon |
Yacht Architecture |
Paris |
1895-1896 |
200/300 |
|
|
91 |
|
Killion, Tom |
Lime Kilns, Wilder Ranch - Santa Cruz - original woodblock signed and numbered |
Santa Cruz |
[1990] |
100/150 |
|
|
92 |
|
Kochert, Irmgard Hauser |
Kochert Jewellery Designs 1810-1940 |
Florence |
1990 |
100/150 |
|
|
93 |
|
Landau, Jacob |
Kingdom of Dreams - 20 lithographs |
New York |
[1969] |
1000/1500 |
|
|
94 |
|
LeBlanc, Peter (b.1930) |
Original woodblock print portrait of Beat poet David Meltzer |
|
1960's |
700/1000 |
|
|
95 |
|
LeBlanc, Peter (b.1930) |
Original woodblock print self-portrait |
|
1960's |
1500/2500 |
|
|
96 |
|
Lessing, Julius |
Die Gewebe-Sammlung des Koeniglichen Kunstgewerbe Museums |
Berlin |
1900-[1913] |
1500/2500 |
|
|
97 |
|
Lurcat, Jean |
Le Coq-Pecheur - color print |
Amsterdam |
1955 |
300/500 |
|
|
98 |
|
Lurcat, Jean |
Print by Jean Lurcat |
|
[c.1940s] |
300/500 |
|
|
99 |
|
[Lux, Joseph August] |
Jung Wien. Ergebnisse aus der Wiener-Kunstgewerbe-Schule |
Darmstadt |
[1907] |
500/800 |
|
|
100 |
|
Marrast, J. |
MCMXXV Jardins |
Paris |
[1926] |
500/800 |
|
|
101 |
(Matisse, Henri) |
** |
Exposition Organisée au Profit de l'Orphelinat des Arts: Henri Matisse |
Paris |
1931 |
200/300 |
|
|
102 |
|
Melani, Alfredo |
Mobili e Ambienti Moderni: Nuova Serie. 100 Tavole in Colore e a Più Colori Sviluppi Geometrici in Iscala |
Milan |
[c.1925] |
200/300 |
|
|
103 |
(Miniature Book) |
[DeFoe, Daniel] |
The Little Robinson Crusoe |
Philadelphia / New Haven |
1848 |
200/300 |
|
|
104 |
|
Moore, Benson |
Great Blue Heron - signed etching |
|
[c.1920s] |
200/300 |
|
|
105 |
|
Moore, Benson B. |
Leopard Reconnoitering - signed etching |
|
[c.1920s] |
200/300 |
|
|
106 |
|
Moser, Barry |
Woodblock - signed |
|
1982 |
100/150 |
|
|
107 |
|
Nicholson, William |
Gargantua - lithograph |
|
1900 |
100/150 |
|
|
108 |
(Olbrich, Joseph Maria) |
** |
Architektur von Olbrich |
Berlin |
[c.1901] |
4000/6000 |
|
|
109 |
|
Pangon, Madame |
Les Batiks de Madame Pangon |
Paris |
[1925] |
300/500 |
|
|
110 |
|
Peerboom, Alfons |
Modernisierte Ornamentik in Anlehnung an den Barock-stil |
Plauen |
[c.1910] |
200/300 |
|
|
111 |
|
Pennell, Joseph & Elizabeth Robins |
Lithography & Lithographers. Some Chapters In The History Of The Art. With Technical Remarks & Suggestions |
London |
1898 |
200/300 |
|
|
112 |
zzf(Persian Art) |
Ghirshman, Roman, et. al. |
La Persia il Regno Immortale |
|
[1971] |
100/150 |
|
|
113 |
(Photography - Avedon, Richard) |
[Arbus, Doon], editor |
Alice in Wonderland: The Forming of a Company and the Making of a Play |
[New York] |
[1973] |
200/300 |
|
|
114 |
(Photography) |
Bankhead, Tallulah |
WITHDRAWNSigned photograph of Tallulah Bankhead |
|
[1930s] |
150/250 |
|
|
115 |
(Photography) |
(Brady, Matthew) |
Advertisement for Ready Writers Hall, 5 Dey St., Caligraphic Institute, Leland, Walter & Russell, Proprietor, Executed with a Steel Pen, Photographed by Brady |
|
[c.1870] |
700/100 |
|
|
116 |
(Photography) |
** |
Camera Work: A Photographic Quarterly - two special issues |
New York |
1912-1913 |
800/1200 |
|
|
117 |
(Photography) |
** |
Carnegie Institute Training Detachment National Army - 54 original photographs of the student army in 1918 |
Pittsburgh, PA |
1918 |
1000/1500 |
|
|
118 |
(Photography - Cartier-Bresson, Henri) |
** |
Five volumes with photography by Henri Cartier-Bresson |
Various places |
Various dates |
700/1000 |
|
|
119 |
(Photography) |
Cartier-Bresson, Henri |
The Decisive Moment |
New York |
[1952] |
1000/1500 |
|
|
120 |
(Photography - Egypt) |
** |
Photographies: Voyage en Égypte 1891: Le Nil - Vol. IV |
|
1891 |
1000/1500 |
|
|
121 |
(Photography) |
Lyons, Nathan, editor |
Contemporary Photographs Toward a Social Landscape |
New York |
[1966] |
300/500 |
|
|
122 |
(Photography) |
Mortensen, William |
Monsters & Madonnas |
San Francisco |
[1936] |
200/300 |
|
|
123 |
(Photography) |
Penn, Irving |
Passage: A Work Record |
New York |
1991 |
200/300 |
|
|
124 |
(Photography - Philippines) |
** |
Manila Carnival, 1908 - photograph album containing 54 original photographs |
Manila, Philippines |
1908 |
1000/1500 |
|
|
125 |
(Photography) |
Root, M.A. |
The Camera and the Pencil; or The Heliographic Art, its Theory and Practice in all its Various Branches... |
Philadelphia |
1864 |
300/500 |
|
|
126 |
(Photography) |
Sunderland, Clyde |
Fourteen gelatin silver aerial photographs of the San Francisco Bay Area |
Oakland |
[c.1960] |
400/600 |
|
|
127 |
(Photography) |
Sunderland, Clyde |
WITHDRAWNPhotograph of a flying boat going under the Golden Gate Bridge during construction - including negative |
Oakland |
|
500/800 |
|
|
128 |
(Photography) |
Sunderland, Clyde |
19 negatives of photographs of a flying boat over San Francisco Bay |
Oakland |
May 10th, 1938 |
1000/1500 |
|
|
129 |
(Photography) |
Sunderland, Clyde |
Five photographs of Utah, Nevada and Arizona |
Oakland |
[c.1940s] |
300/500 |
|
|
130 |
(Photography) |
White, Minor |
Mirrors, Messages, Manifestations |
[New York] |
[1969] |
300/500 |
|
|
131 |
(Picasso, Pablo) |
Janis, Harriet and Sidney |
Picasso: The Recent Years, 1939-1946 |
Garden City |
1947 |
1000/1500 |
|
|
132 |
|
Piranesi, Giovanni Battista |
Altra Veduta degli Avanzi del Pronao del Tempio della Concordia |
Rome |
[c.1774] |
300/500 |
|
|
133 |
(Polk, Willis) |
[Porter, Bruce and Edward F. O'Day] |
To Remember Willis Polk, Architect |
San Francisco |
1926 |
300/500 |
|
|
134 |
(Posters) |
Avedon, Richard |
The Beatles - four posters |
New York |
1967 |
1000/1500 |
|
|
135 |
(Posters) |
Bill Graham |
Collection of fourteen Bill Graham concert posters |
San Francisco |
1966-1967 |
600/900 |
|
|
136 |
(Posters) |
Bill Graham |
Collection of ten Bill Graham concern posters |
San Francisco |
1967-1969 |
400/600 |
|
|
137 |
(Posters) |
Bill Graham |
Jefferson Airplane concert poster |
San Francisco |
1966 |
250/350 |
|
|
138 |
(Posters) |
Ginsberg, Allen |
Who Be Kind To |
San Francisco |
1965 |
200/300 |
|
|
139 |
(Posters) |
Glaser, Milton |
Dylan |
No place |
[1967] |
100/150 |
|
|
140 |
(Posters) |
Griffin, Rick |
Lucifer Rising: A Love Vision by Kenneth Anger |
Berkeley, CA |
1967 |
200/300 |
|
|
141 |
(Posters) |
Griffin, Rick |
2nd Annual Grope for Peace |
[San Francisco] |
[1967] |
700/1000 |
|
|
142 |
(Posters) |
Grimshaw, Gary |
Ecology Benefit Poetry Reading |
Berkeley, CA |
[c.1968] |
200/300 |
|
|
143 |
(Posters) |
Herrick |
The Love Conspiracy Commune Presents a Psychedelic Happening |
[San Francisco] |
1967 |
800/1200 |
|
|
144 |
(Posters) |
Mercer, F.A. and W. Gaunt |
Posters & Publicity: Fine Printing and Design "Commercial Art" Annual 1928 |
New York / London |
1928 |
100/150 |
|
|
145 |
(Posters) |
Mouse, Stanley |
Signed giclee print - Grateful Dead Ice Cream Kid |
|
[1972] |
150/250 |
|
|
146 |
(Posters) |
Mouse, Stanley and Alton Kelley |
Grateful Dead concert poster |
San Francisco |
1966 |
1000/1500 |
|
|
147 |
(Posters - Mouse Studios) |
** |
Four large concert posters from Mouse Studios |
San Francisco |
1967 |
150/250 |
|
|
148 |
(Posters - Nudes) |
** |
Print of the album cover for "Two Virgins" - plus one more photograph print signed on verso by photographer |
|
1960s-1970s |
200/300 |
|
|
149 |
(Posters - Rock Concerts) |
** |
Collection of twenty-two posters for rock concerts |
San Francisco |
1966-1969 |
500/800 |
|
|
150 |
(Posters - San Francisco Mime Troupe) |
** |
FluxFest - San Francisco's Mime Troupe, Flux Orchestra, Quick Silver Messenger Service |
San Francisco |
[1969] |
200/300 |
|
|
151 |
(Posters - San Francisco) |
** |
Posters for concerts in San Francisco |
San Francisco |
1966-1967 |
150/250 |
|
|
152 |
(Posters) |
** |
Two publications for the Poster Collector |
Various places |
Various dates |
100/150 |
|
|
153 |
|
Prisse D'Avenes, [Achille Constant T. Emile] |
La Decoration Arabe: Decors Mureaux - Plafonds - Mosaiques - Dallages - Boiseries... |
Paris |
1885 |
800/1200 |
|
|
154 |
|
Pyne, William Henry |
The History of the Royal Residences of Windsor Castle, St. James's Palace, Carlton House, Kensington Palace, Hampton Court, Buckingham House, and Frogmore... |
London |
1819 |
6000/9000 |
|
|
155 |
|
Rapin, Henri |
La Sculpture Décorative Moderne |
[Paris] |
[c.1925] |
200/300 |
|
|
156 |
|
Rockwell, Norman |
Liberty Bell |
|
1976 |
800/1200 |
|
|
157 |
(Rogers, Bruce) |
Alighieri, Dante |
The Divine Comedy |
New York |
1955 |
400/600 |
|
|
158 |
|
Roudebush, Harriet |
Two original etchings - Fisherman's Wharf [and] Telegraph Hill |
|
[c.1940s] |
200/300 |
|
|
159 |
(Russian Art) |
Bem, Elizabeth Merkurevna |
Russian chromolithograph circa 1920 |
|
[c.1920] |
300/500 |
|
|
160 |
(San Francisco Architectural Club) |
** |
Year Book - 1913 and 1915 |
San Francisco |
1913-1915 |
200/300 |
|
|
161 |
(San Francisco Art Institute) |
** |
California School of Fine Arts San Francisco, August 14-May 17. Regular Session 1939-1940 |
San Francisco |
1939 |
200/300 |
|
|
162 |
|
Sandier, A. and G. Lechevallier-Chevignard |
Formes et Décors Modernes de la Manufacture Nationale de Sévres |
Paris |
[c.1900] |
300/500 |
|
|
163 |
|
Schnorr, I., et. al., editors |
The Workshop: A Monthly Journal Devoted to Progress of the Useful Arts - Volumes VI-IX |
New York |
1873-1876 |
200/300 |
|
|
164 |
|
Seguy, E.A. |
Bouquets et Frondaisons |
Paris / New York |
[c.1925] |
2000/3000 |
|
|
165 |
|
Serlio, Sebastiano |
Libro primo [-terzo] d'architettura |
Venice |
1560 & 1544 |
4000/6000 |
|
|
166 |
(Shunga) |
** |
Two Japanese pillow books or shunga |
Japan |
[c.1870] |
300/500 |
|
|
167 |
(Spanish Art) |
Academia de Bellas Artes |
Informe sobre el resultado de la Exposicion Retrospective Celebrada per la Academia de Bellas Artes de Barcelona en 1867 dado a la misma academia por la comision encargada de dicha Exposicion |
Barcelona |
1868 |
400/700 |
|
|
168 |
|
Spreti, Marchese Vittorio |
Enciclopedia Storico-Nobiliare Italiana |
[Bologna] |
[1981] |
300/500 |
|
|
169 |
|
Stobart, John (b.1929) |
Chicago: The Entrance to the Chicago River, Looking West, in 1876 |
|
1980 |
100/150 |
|
|
170 |
|
Stoll, John |
"May Street," S.F. - original etching |
[San Francisco] |
[c.1915] |
150/250 |
|
|
171 |
(Studio Magazine) |
** |
The International Studio |
New York |
1898-1925 |
300/500 |
|
|
172 |
|
Surendorf, Charles |
Ghost Town - Bodie - original linocut |
|
[c.1940s] |
150/250 |
|
|
173 |
|
Surendorf, Charles |
Giraffe - original linocut |
|
[c.1940s] |
150/250 |
|
|
174 |
(Swedish Matchbooks) |
Cederschiöld, G. |
Den Svenska Tändsticks Industriens Historia före de stora sammanslagningarna |
Stockholm |
[1945] |
200/300 |
|
|
175 |
(Swiss Art & Architecture) |
** |
Das Werk Schweizerische Monatsschrift für Bildende und Angewandte Kunst - two issues |
Zürich |
1923-1924 |
100/150 |
|
|
176 |
|
Szukalski, Stanislaw |
Projects in Design: Sculpture and Architecture - with original woodblock signed by Szukalski |
Chicago |
[1929] |
1000/1500 |
|
|
177 |
|
Timmons, Edward J. Finley (1882-1960) |
Original oil painting |
|
1914 |
500/800 |
|
|
178 |
|
Turner, Morrie |
Wee Pals - comic strip signed by Morrie Turner |
|
c.1968 |
80/120 |
|
|
179 |
|
Valadier, Giuseppe |
L'architettura pratica dettata nella Scuola e Cattedra dell'insigne Accademia di S. Luca |
Rome |
1828-1839 |
1000/1500 |
|
|
180 |
|
Van Hoesen, Beth |
Poppies - original color etching signed and numbered, plus a signed book |
|
[1967] |
200/300 |
|
|
181 |
(Viollet-le-Duc, Eugène Emmanuel) |
** |
Compositions et Dessins de Viollet-le-Duc Publiés Sous le Patronage du Comité de L'Oeuvre du Maitre |
Paris |
1884 |
250/350 |
|
|
182 |
|
Vitruvius Pollio, Marcus |
I dieci libri dell'architettura di M. Vitruvvio, tradotti et commentati de Monsig. Daniel Barbaro... |
Venice |
1584 |
2500/3500 |
|
|
183 |
|
Vitruvius. [Vitruvius Pollio, Marcus] |
Les Dix Livres d'Architecture Corrigez et Traduits Nouvellement en Francois, Avec des Notes & des Figures |
Paris |
1673 |
5000/8000 |
|
|
184 |
|
Vogel, Lucien |
Gazette du Bon Genre |
Paris |
1921 |
1000/1500 |
|
|
185 |
|
Warhol, Andy |
Campbell's Soup Can (Tomato) screenprint on a shopping bag |
Boston |
1966 |
2000/3000 |
|
|
186 |
|
Weinberg, Bruce |
Seven signed etchings by Bruce Weinberg |
|
Various dates |
3000/5000 |
|
|
187 |
(Western Art) |
** |
Nine volumes about Western art and artists |
Various places |
Various dates |
200/300 |
|
|
188 |
|
Wilkins, John Gilbert, editor |
Research Design in Nature - Field Museum of Natural History School of the Art Institute |
Chicago |
1926 |
200/300 |
|
|
189 |
(Wilson, Adrian) |
Wilson, Joyce Lancaster, editor |
The Work & Play of Adrian Wilson: A Bibliography with Commentary |
Austin |
1983 |
300/500 |
|
|
190 |
(World's Columbian Exposition, Chicago) |
Walton, William |
World's Columbian Exposition [Art and Architecture]: Edition of the White City |
[Philadelphia] |
[1893] |
1000/1500 |
|
|
191 |
(Wright, Frank Lloyd) |
** |
Berkeley: A Journal of Modern Culture - ten issues |
Berkeley, CA |
1948 |
100/150 |
|
|
192 |
(Wrightsman Collection) |
** |
The Wrightsman Collection: Volumes III and IV |
New York |
[1970] |
200/300 |
|
|
193 |
zzf |
Freeman, Don |
Add-A-Line Alphabet - early concept drawings |
|
[1968] |
150/250 |
|
|
194 |
zzf |
Freeman, Don |
Add-A-Line Alphabet - six studies for the letter A |
|
[1968] |
600/900 |
|
|
195 |
zzf |
Freeman, Don |
Add-A-Line Alphabet - five studies for the letter A |
|
[1968] |
500/800 |
|
|
196 |
zzf |
Freeman, Don |
Add-A-Line Alphabet - early studies for the letter B |
|
[1968] |
400/700 |
|
|
197 |
zzf |
Freeman, Don |
Add-A-Line Alphabet - early studies for the letter C |
|
[1968] |
300/500 |
|
|
198 |
zzf |
Freeman, Don |
Add-A-Line Alphabet - watercolor study for D and E |
|
[1968] |
300/500 |
|
|
199 |
zzf |
Freeman, Don |
Add-A-Line Alphabet - three early studies for the letters E, F, G and H |
|
[1968] |
400/700 |
|
|
200 |
zzf |
Freeman, Don |
Add-A-Line Alphabet - five mock-ups full of original drawings |
|
[1968] |
800/1200 |
|
|
201 |
zzf |
Freeman, Don |
Add-A-Line Alphabet - mock up study for the book |
|
[1968] |
500/800 |
|
|
202 |
zzf |
Freeman, Don |
Add-A-Line Alphabet - 4 original concept drawings for the cover |
|
[1968] |
1000/1500 |
|
|
203 |
zzf |
Freeman, Don |
Add-A-Line Alphabet - seven early sketches and concept drawings |
|
[1968] |
500/800 |
|
|
204 |
zzf |
Freeman, Don |
Bearymore - 2 original drawings, one for the cover and one for page 17 |
|
[1976] |
400/700 |
|
|
205 |
zzf |
Freeman, Don |
Chalk-Talk Show - mock-up for a poster advertising Don Freeman's Chalk-Talk Benefit Performance for Gary Hart |
|
1950s |
200/300 |
|
|
206 |
|
Freeman, Don |
Come One, Come All! - original watercolor drawing for the dust jacket design |
|
[1949] |
500/800 |
|
|
207 |
zzf |
Freeman, Don |
Corduroy - final watercolor for page 3 |
|
[1968] |
300/500 |
|
|
208 |
zzf |
Freeman, Don |
Corduroy - final watercolor for page 5 and three color separations on acetate |
|
[1968] |
1000/1500 |
|
|
209 |
zzf |
Freeman, Don |
Corduroy - final watercolor for page 6 |
|
[1968] |
700/1000 |
|
|
210 |
zzf |
Freeman, Don |
Corduroy - final watercolor for page 7 |
|
[1968] |
700/1000 |
|
|
211 |
zzf |
Freeman, Don |
Corduroy - final watercolor for page 8 |
|
[1968] |
700/1000 |
|
|
212 |
zzf |
Freeman, Don |
Corduroy - final watercolor for page 9 |
|
[1968] |
700/1000 |
|
|
213 |
zzf |
Freeman, Don |
Corduroy - oil pastel drawing for page 11 |
|
[1968] |
300/500 |
|
|
214 |
zzf |
Freeman, Don |
Corduroy - preliminary drawing of cover illustration |
|
[1968] |
500/800 |
|
|
215 |
zzf |
Freeman, Don |
Corduroy - two sketches of ideas |
|
[1968] |
200/300 |
|
|
216 |
zzf |
Freeman, Don |
Corduroy - very early concept drawing |
|
[1968] |
200/300 |
|
|
217 |
zzf |
Freeman, Don |
Flash the Dash - preliminary drawing for title page |
|
[1973] |
400/700 |
|
|
218 |
zzf |
Freeman, Don |
The Human Comedy - original drawing for the book by William Saroyan |
|
[1943] |
700/1000 |
|
|
219 |
zzf |
Freeman, Don |
The Human Comedy - original ink drawing for the book by William Saroyan |
|
[1943] |
250/350 |
|
|
220 |
zzf |
Freeman, Don |
The Human Comedy - original ink drawing for the book by William Saroyan |
|
[1943] |
250/350 |
|
|
221 |
zzf |
Freeman, Don |
The Human Comedy - original sketches for the book by William Saroyan |
|
[1943] |
200/300 |
|
|
222 |
zzf |
Freeman, Don |
Inspector Peckit - first sketch |
|
1971 |
400/700 |
|
|
223 |
zzf |
Freeman, Don |
Norman the Doorman - original watercolor for pages 10 and 11 |
|
[1959] |
700/1000 |
|
|
224 |
zzf |
Freeman, Don |
Norman the Doorman - original drawing for page 16 |
|
[1959] |
500/800 |
|
|
225 |
zzf |
Freeman, Don |
Norman the Doorman - two concept drawings for page 17, one in color |
|
[1959] |
700/1000 |
|
|
226 |
zzf |
Freeman, Don |
Norman the Doorman - original drawing for page 28 |
|
[1959] |
400/700 |
|
|
227 |
zzf |
Freeman, Don |
Norman the Doorman - drawing for page 29 |
|
[1959] |
400/700 |
|
|
228 |
zzf |
Freeman, Don |
Norman the Doorman - original color drawing for pages 32 and 33 |
|
[1959] |
600/900 |
|
|
229 |
zzf |
Freeman, Don |
Norman the Doorman - two color separations for page 35 |
|
[1959] |
800/1200 |
|
|
230 |
zzf |
Freeman, Don |
Norman the Doorman - concept drawing for page 64 |
|
[1959] |
400/700 |
|
|
231 |
zzf |
Freeman, Don |
Norman the Doorman - early concept drawing |
|
[1959] |
400/700 |
|
|
232 |
zzf |
Freeman, Don |
Norman the Doorman - original concept drawing |
|
[1959] |
250/350 |
|
|
233 |
zzf |
Freeman, Don |
Norman the Doorman - original watercolor concept art for endpapers |
|
[1959] |
600/900 |
|
|
234 |
zzf |
Freeman, Don |
Norman the Doorman - very early ink sketches on sheets of notepaper |
|
[1959] |
300/500 |
|
|
235 |
zzf |
Freeman, Don |
Oliver Twist - original drawing of Bill Sikes and his dog |
|
[1938] |
250/350 |
|
|
236 |
zzf |
Freeman, Don |
Oliver Twist - original ink drawing |
|
[1938] |
200/300 |
|
|
237 |
zzf |
Freeman, Don |
Oliver Twist - original ink drawing of Nancy, Bill and Oliver |
|
[1938] |
200/300 |
|
|
238 |
zzf |
Freeman, Don |
Oliver Twist - original ink drawing of The Bumbles |
|
[1938] |
250/350 |
|
|
239 |
zzf |
Freeman, Don |
Oliver Twist - original pastel |
|
[1938] |
300/500 |
|
|
240 |
zzf |
Freeman, Don |
Oliver Twist - original pastel of Fagin and Oliver |
|
[1938] |
600/900 |
|
|
241 |
zzf |
Freeman, Don |
Oliver Twist - original watercolor and an original ink drawing of Mr. & Mrs. Bumble |
|
[1938] |
800/1200 |
|
|
242 |
zzf |
Freeman, Don |
Oliver Twist - original watercolor of Bill Sikes |
|
[1938] |
700/1000 |
|
|
243 |
zzf |
Freeman, Don |
Oliver Twist - original watercolor of Bill Sikes and Nancy |
|
[1938] |
700/1000 |
|
|
244 |
zzf |
Freeman, Don |
Oliver Twist - original watercolor of Bill Sikes and Oliver |
|
[1938] |
600/900 |
|
|
245 |
zzf |
Freeman, Don |
Oliver Twist - original watercolor of Bill Sikes on the rooftop |
|
[1938] |
700/1000 |
|
|
246 |
zzf |
Freeman, Don |
Oliver Twist - original watercolor of Fagin |
|
[1938] |
700/1000 |
|
|
247 |
zzf |
Freeman, Don |
Oliver Twist - original watercolor of Fagin and Oliver |
|
[1938] |
700/1000 |
|
|
248 |
zzf |
Freeman, Don |
Oliver Twist - original watercolor of Mr. Bumble |
|
[1938] |
500/800 |
|
|
249 |
zzf |
Freeman, Don |
Oliver Twist - original watercolor of Nancy |
|
[1938] |
700/1000 |
|
|
250 |
zzf |
Freeman, Don |
Oliver Twist - original watercolor of Oliver Twist |
|
[1938] |
700/1000 |
|
|
251 |
zzf |
Freeman, Don |
Oliver Twist - original watercolor of the wedding of Rose |
|
[1938] |
700/1000 |
|
|
252 |
zzf |
Freeman, Don |
The Paper Party - two preliminary watercolors |
|
[c.1974] |
800/1200 |
|
|
253 |
zzf |
Freeman, Don |
Pet of the Met - original watercolor |
|
[1953] |
250/350 |
|
|
254 |
zzf |
Freeman, Don |
A Pocket for Corduroy - a mock-up and the final edition of an advertising poster |
|
[1978] |
500/800 |
|
|
255 |
zzf |
Freeman, Don |
A Pocket for Corduroy - original watercolor concept drawing |
|
[1978] |
200/300 |
|
|
256 |
zzf |
Freeman, Don |
A Pocket for Corduroy - set of uncut proof sheets for the book |
|
[1978] |
200/300 |
|
|
257 |
zzf |
Freeman, Don |
Seven color dust jacket proofs for Don Freeman-illustrated books + poster issued with the publication of Corduroy |
|
Various dates |
250/350 |
|
|
258 |
zzf |
Freeman, Don |
Ski Pup - original concept drawing for the book cover |
|
[1963] |
300/500 |
|
|
259 |
zzf |
Freeman, Don |
Tilly Witch - original watercolor draft of dust jacket |
|
[1969] |
800/1200 |
|
|
260 |
zzf |
Freeman, Don |
Two posters relating to Don Freeman |
|
[1960s] |
150/250 |
|
|
261 |
zzf |
Freeman, Don |
Will's Quill - first sketch for pages 6 and 7, signed |
|
[1975] |
600/900 |
|
|
262 |
zzf |
Freeman, Don |
Will's Quill - two preliminary watercolors for page 9 |
|
[1975] |
700/1000 |
